Showing posts with label David Fincher. Show all posts
Showing posts with label David Fincher. Show all posts

Wednesday, November 14, 2012

31 Horrors: The Town That Dreaded Sundown (#24)

Wherein I attempt to watch 31 horror films over the course of October. 31 horror films that I have never seen before, from obscure to acclaimed classics. We'll see how well I go in actually finding the time to watch and then write about them in some way.

Curiously unreleased on DVD (not even in America, let alone Australia), I didn't feel quite so guilty acquiring this 1976 small town slasher through a few dubious means. There's a decent quality version currently airing on TCM in the states, but the copy I watched was a pretty shoddy VHS rip that, if little else, added to the atmosphere of watching an old horror title that came to exist in the age of video cassettes. I watched Charles B Pierce's film on Halloween (after Vampyr and before Hardware) so I was very much set for it to blow me away, and given it is one of the more obscure (yet amazing) references in Kevin Williamson's screenplay for Scream - "It's like The Town that Dreaded Sundown!" - I was really hoping for it to blow me away, too.

"It's about a killer in Texas, huh?" - Deputy Dewey, Scream

And whenever the movie was directly following the killer on screen The Town that Dreaded Sundown was a fabulously freaky experience - and the VHS transfer made the deep midnight blues and blacks that permeate these sequences feel appropriately grubby ala The Texas Chainsaw Massacre. The stalk-and-kill scenes featuring the baghead killer who wields a shotgun and, in one particularly odd yet scary scene, a trombone are really well done and reminded me of David Fincher's Zodiac in the way they happen to matter of factly and straightforward. Another film it reminded me of was Maniac, but I think any film I watch from now that features a shotgun blast through a car windscreen is going to remind me of that fantastic film.


Sadly, the killer - known as "The Phantom", and based on a real unsolved case in Texarkana, Texas - isn't really the focus of the majority of the film, but rather the police investigation into his case. I say "sadly" because these passages of the film, centered around Ben Johnson's detective character, are like the dopey cop sequences of Last House on the Left stretched out to feature length. Much like Wes Craven was somehow able to juxtapose the absolute horror of the action with bumbling idiocy of those two police characters, whenever the Sundown killer isn't on screen it succumbs to tedium. It's all so incredibly uninteresting and silly and goofy and I don't understand how these scenes fit into the same film that the killer himself was a part of. There are far too many banjos and cross-dressing coppers getting felt up by overweight detectives. It amuses me to find (after having written most of this) that Jason at My New Plaid Pants had the exact same opinion as me. If Jason agrees then I know I'm on the right page and not just watching a movie in the wrong mood.

The Town that Dreaded Sundown: B+; All that other crap: D+. Let's give it a median C+, shall we?

Sunday, January 8, 2012

Review: The Girl with the Dragon Tattoo

The Girl with the Dragon Tattoo
Dir. David Fincher
Year: 2011
Aus Rating: MA15+
Running Time: 158mins

Director David Fincher takes the reigns of the American adaptation of Stieg Larsson’s “Millennium Trilogy” – or, the first book, The Girl with the Dragon Tattoo, more specifically. It’s hardly an ambitious move since the 2010 Swedish original had already proven its box-office and pop culture credentials, and whilst Fincher doesn’t exactly blow the original out of the water, he does add enough to make the project feel less like an unnecessary retread than it otherwise may have.

Read the rest at Trespass Magazine

Meanwhile, as I was writing this review I had the soundtrack playing and... can we discuss this for a brief moment? So, Fincher's The Girl with the Dragon Tattoo is 158 minutes, yeah? So how come the musical score by Trent Reznor and Atticus Ross is 173 minutes long? Jeepers, that's a bit excessive isn't it? Especially when so many of the musical cues are identical. I ended up deleting two thirds of the album since I just did not need it all on there! Of course I kept "Immigrant Song" by Karen O, which is a great opening credits song choice if ever there was one. Still I don't even know how the original soundtrack is longer than the actual film it accompanies, let alone that works let alone why.

Meanwhile, I'd love to hear Reznor and Ross' take on The Sound of a Dragon Tattoo, a film mash-up that I really want somebody to take the reigns of and create one of those wonderfully inventive fake trailers. Consider that both Robert Wise's The Sound of Music and David Fincher's The Girl with the Dragon Tattoo are about women who are held back by a leash, but eventually break free to help a family who seem to seclude themselves away in the countryside alongside a surly male. They both include evil nazis and they both star Christopher Plummer! Somebody? Anybody? Oh, okay then...

Tuesday, October 25, 2011

Scream to Scream, Scene by Scene: SCENE 3 of Scream 3 (0:10:21-0:12:01)

In this project I attempt to review the entire Scream trilogy scene by scene in chronological order. Heavy spoilers and gore throughout!



SCENE 3 of Scream 3
Length: 1min 40secs
Primary Characters: Gale Weathers (Courteney Cox Arquette), Detective Mark Kincaid (Patrick Dempsey), Student (Richmond Arquette) and The Moderator (Julie Janney)
Pop Culture References:
  • None

And thus begins what will become a Gale Weathers ritual during Scream 3 in which we ruthlessly insult her horrible hair. This current version of her hair isn't even the worst of it! When he lets it out it just... well, yeah. This was the first image released, if I remember correctly, and we were all like "what has she done to her hair?!?" And it's not a Scream 3 specific wig, either, since she had the same hair on Friends. What was going on at that time? Why did she think this was good hair? And after her awesome red-streaked bob from Scream 2, too!


That young man right there rolling his eyes is Richmond Arquette, David's brother and Courtney's brother-in-law. In this franchise's ongoing desire to become the unofficial Arquette family album (remember Lewis Arquette was in Scream 3 and I fully expect Coco Arquette to be in Scream 12: Ghostface in Space!) we get another of the Arquette clan. Where was Alexis though? Could Scream 3 not fit in a hot transsexual anywhere in it's two hour runtime? What's Jenny McCarthy got that Alexis Arquette doesn't? ...Wait, don't answer that! Patricia Rosanna Arquette, on the other hand... well, she's probably still busy trying to find Debra Winger to make an appearance in this franchise. Wouldn't that be a hoot thought! Did Dewey have a secret sister he didn't know about? Ooh aah!

"Excuse me! So you're saying that we should be ready to go out and cut each other's throats because that's what you did?"

"Metaphorically, yes."

"So tell me Ms Weathers... was it worth it?"


There are so many red herrings thrown about in Scream 3 that they were even making the glorified extras into suspects! This little exchange between Arquette and Cox Arquette (...) is clearly meant to be a "ooh, who is this character? i bet they're the killer, ooh!" moment and yet this unnamed character (known only as "Student" in the cast list) never returns. Lovely.

Looking at Richmond Arquette's filmography, I'm actually quite surprised at the number of movie's he has under his belt including several David Fincher movies (Benjamin Button, Zodiac, Fight Club and as the delivery man in Se7en!) and Rob Zombie's remake of Halloween.

"That's quite an impressive resume."
"Thank you. I assume you're not here for an autograph."


I love that they make Gale Weathers' career a running gag by now. In each film she's worked for a different television news program and I'm sure when the detective says "impressive" he means "long and undistinguished."

Speaking of the detective, I love that Patrick Dempsey is in Scream 3. I like to think that if it weren't for Scream 3 then Dempsey's career revival wouldn't have panned out the way it did and without it Grey's Anatomy would've have become such the hit that it did (that show was very good for, what? two seasons?) Basically, Patrick Dempsey has Scream to thank for everything he has right now. ...okay, perhaps that's a bit of an overstatement, and he was quite good in his brief Will & Grace tenure, too, and I was certainly surprised to see him pop up in Sweet Home Alabama. I was secretly disappointed that he didn't return in Scream 4, but we'll discuss that later.

And, of course, I love the Scream 2 photo shot used on her press tour marketing. She'd never looked better!

"I'm here because Cotton Weary's been murdered."
"Someone killed Cotton?"
"And his girlfriend. Someone who left something he wanted us to see. I'll show you this because you're the Woodsboro authority and because you knew him. I promise you, if you share this with the world it's you I will be arresting."

"I swear on my Pulitzer Prize, which I plan to win one day, detective."


Oh Gale! Forgetting the lack of any sustained grief at the news that her early career pet project had been murdered (after Scream 2 I suspect they soured when his career get sky high and she had a failed gig at 60 Minutes 2), I do love her reaction here. In Scream she was going for the Pulitzer and she still is! We can never say that Gale Weathers rested on her laurels.

Also, gosh Patrick Dempsey's hair is amazing.

"This is Maureen Prescott, Sidney Prescott's mother!"


Dun-dun-duuuuuunnnnn.

The Scream films were always much more interested in being a whodunnit than traditional slice-n-dice slasher flicks, but Scream 3 really took it to a new level. I've already noted the lack of traditional slasher movie chase and kills, instead choosing less gore and more exposition. The whole Maureen Prescott story... I ultimately don't think it works as well as they wanted it to, but it was a gallant effort at making a more grandoise stand for these films being taken more seriously, even they were always considered amongst the higher class of the teen horror craze.

Scream:
Intro, Scene 1 Scene 2, Scene 3, Scene 4, Scene 5, Scene 6, Scene 7, Scene 8, Scene 9, Scene 10, Scene 11, Scene 12, Scene 13, Scene 14, Scene 15, Scene 16, Scene 17, Scene 18, Scene 19, Scene 20, Scene 21, Scene 22, Scene 23, Scene 24, Scene 25, Scene 26, Scene 27, Scene 28, Scene 29, Scene 30, Scene 31 Scene 32, Scene 33, End Credits

Scream 2
Scene 1, Scene 2, Scene 3, Scene 4, Scene 5, Scene 6, Scene 7, Scene 8, Scene 9, Scene 10, Scene 11, Scene 12, Scene 13, Scene 14. Scene 15, Scene 16, Scene 17, Scene 18, Scene 19, Scene 20, Scene 21, Scene 22, Scene 23, Scene 24, Scene 25, Scene 26, Scene 27, Scene 28, Scene 29, Scene 30, End Credits

Scream 3
Scene 1, Scene 2

Thursday, September 23, 2010

Hit Me With Your Best Se7en

I'm feeling a bit too crook to really delve in David Fincher's Se7en as a part of Nathaniel Rogers' Hit Me With Your Best Shot series, but thankfully I revisited the film back in May so you can read that if you would like.

Naturally, I had trouble choosing just one, but choose just one I did... after choosing six others. Here are my seven favourite shots from Seven ranked from 7 to 1. I'm not going to go into the hows and whys or these very much, they are are. Enjoy.


I like the slight introduction of colour into this very bleak, very gray world.


Startling!


He is his gun. He is violence.


The first sight of the van and the unease of "what the hell is gonna happen next?" increases tenfold.


From the opening credits. It's just striking is all.


Love the composition and the way that actual beauty in this world is hard to find, but it can be found in, of all places, the symmetry of study lamps.


My favourite shot is one of the only in the entire film that radiates. Innocence, which is hard to come by, emits from her face and brings a slight ray of hope into the film. Probably why I latch onto this shot most of all.