In this project I attempt to review the entire Scream trilogy scene by scene in chronological order. Heavy spoilers and gore throughout!
SCENE 21 of
Scream 2Length: 5min 51secs
Primary Characters: Gale Weathers, Randy Meeks, Dewey Riley, Joel the Cameraman and Ghostface
Pop Culture References:- Jennifer Aniston (A joke is made about Aniston and Gale Weathers)
- Saved by the Bell (Joel wishes they'd discuss something more "Saved by the Bell-ish")
- Malcolm X (Joel references him)
- Showgirls (Randy's "favourite scary movie")
- The House on Sorority Row, The Dorm that Dripped Blood, Splatter University, Graduation Day and Final Exam (Randy's suggestions for the killer's favourite movie)
- OJ Simpson, Ted Bundy and Charles Manson (Randy suggests these as other killers worth copycatting)
And so we come to this scene. We all knew we'd have to look at it eventually, but it's always sad when it comes around and it's all "but... but... RANDY!" Let's push through, okay? Let's navigate our way through this traumatic scene together.
"Sidney wasn't killed in Woodsboro."
"Wasn't for a lack of trying. The killer's trying to finish what was started."Here it is folks! The very dead centre of the entire
Scream trilogy! This very shot is, if I have my maths correct, the dead centre and it's quite fitting that it's in one of the entire franchise's greatest scenes and features three of everyone's favourite characters.
While this is indeed quite cool, it's also depressing because I'd intended on having this project
finished months ago and yet we're still only at the half way point. I just... ugh.
"When did she start smoking?"
"Ever since those nude pictures on the internet."
"It was just my head... it was Jennifer Aniston's body."Teehee. I love that Gale Weathers lives in the same world as Courteney Cox. It still bugs me that only Aniston and David Schwimmer of her
Friends co-stars got references. Although what could you say about Matt LeBlanc?
"Time out! See, now I don't need to be hearing about no dead cameraman, all right? Now I'm warning you guys, I am a verb away from vacating these premises. I'm gonna get me some coffee, donuts, prozac, see if I can find some crack, special k, x - not Malcolm - and I'll be back when you're talking about something a little bit more Saved by the Bell-ish, all right?"Joel the Cameraman goes off on this little spiel when Gale says there were more victims "before the home stretch", two of which include Tatum and Kenny the Cameraman. I would've thought their deaths were indeed part of the home stretch, but as we've already established Gale's recollection of the events of "the Woodsboro murders" is a bit, shall we say, off.
I accidentally paused on this next shot:
"LOL"
"Not interrupting anything, am I? You three look deep in thought."Uh-oh! I love this line reading by the way. Not so much the "knife scraping bone" line that was re-used in
Scream 4 (although I like that even in
Stab 7 Gale was still able to take inspiration from real life!) There's a playfulness that is so sick and twisted without being overtly grisly. I love it.
So much of what typifies the
Scream films (or, at least, the first two and some of the fourth) is evident here. The little chuckles that come about from stuff like this where all three look around like they're lost, and yet its juxtaposed against the very real threat. I think it works particularly well here since that creeping thought that "oh no, one of them will die!" is such a terrifying one since we love these characters so much. And then to have it play out in broad daylight? That was a stroke of genius.
I've spoken at length about Wes Craven's use of space in these films. Framing his shots with optimum levels of uneasiness and tension. Always making sure the viewer is aware of what's around the target like Casey standing in front of those patio glass doors or Tatum being shot walking into the garage from the living room location of the party so we know how close she was to everyone else.
"What's your favourite scary movie?"
"Showgirls - absolutely frightening.This line disappoints me. I would have thought Randy would be able to see the inherent greatness within
Showgirls! Although, I guess, the two years between
Showgirls and
Scream 2 wasn't enough time for it to have accrued the good will that it has today. The line works well as a funny way to cap a
Scream 2 trailer, but my love of
Showgirls means the line irks me.
"What's yours? Wait, let me guess: The House on Sorority Row? The Dorm that Dripped Blood? Splatter University? Graduation Day? Final Exam?I like how once the telephone call comes though, the point of view of the scene becomes much more voyeuristic and a bit dizzying as it rotates around Randy and uses slight "Steadicam" style filmmaking as we follow Randy around and being very conscious of where he is amongst his surroundings.
The only one of the films Randy mentions that I have seen is
The House on Sorority Row, which I discussed
just last week! I've tried to see the others but they're unavailable here. Very disappointing.
"Who's this?"
"Who's this?"
"Gale Weathers, author of The Woodsboro Murders!"Behold the best line reading in all of
Scream 2! Love it! I hope that at some point in my life I write a book called
The Woodsboro Murders just so I can quote this line like I do others in the films. "Glenn Dunks, author of
The Woodsboro Murders!" Amazing.
"FUUUUCCCKK YOOOOUUUU!"I kinda love that Mrs Loomis aka Debbie Salt - who we know is the one who gets "knife happy" with Randy since she admits it in the climax - knows all this stuff about how Randy will "never be the leading man" and "never get the girl" because I like to imagine that Billy and his mum used to sit around and talk about his friends and what cinematic archetypes they fill. Well, until she skipped town like the exceptional mother that she is :/
So sneaky with the composition of those frames. It's Gale's van, it must be innocuous, right? Nope. Think again "dead boy."
Yeah, I'd make that face too if some random stranger tackled me from behind. O_O
Silly Randy, you should be trying to be around people! Ghostface can't exactly attack you around others. Love this shot though, don't you?
"Why copycat to high school loser ass dickheads? Stu was a pussy-assed wet rag and Billy Loomis - Billy Loomis? What the fuck? Jesus! What a rat-lookin', homo-repressed mama's boy. Why not set your goals higher, huh?And I like the casual inclusion of "Loomis" and "mama's boy" into the conversation. Stu doesn't get a last name, but Billy does. We need to remember that name, that's why. And the "mama's boy" is yet another slight reference to Billy's mother that would go otherwise unnoticed unless you knew who the killer was. I keep quite dialogue from this scene because I think it's so well written and structured, don't you? Such rhythm.
:(
Meanwhile, there's symmetry once against between
Scream and
Scream 2 in the way that Randy nearly died
first time around by not paying attention behind him and here goes and does it again, but isn't quite as lucky.
Love this shot! In fact, it's not just my favourite shot in this scene, but it's definitely one of my favourite shots in the entire movie. No particular reasoning behind it, I just think it looks nifty, although it does give us that great van opening van door reveal a few moments later. Plus, the idea of Ghostface looking around after having just smashed in the window of a news van is humourous.
Arty shot alert!
I find it interesting - and it goes on to that theory about this scene being directed in such a voyeuristic manner - that we're never inside the van. Not for one second. Filming Randy's murder from the outside of the van adds an even bigger dollop of tragedy to it because we can see how close he is to help with that group of hip-hoppers walking by.
And, furthermore, by filming from the outside we miss seeing someone so beloved getting - to quote Maureen Evans - "cut the fuck up". We don't need to see it in order to recognise the terror of it unlike, say, Cici. The scene is vital and a bit heartbreaking all on its own without having to actually witness the knife going in and out of his flesh.
What have we learnt from all of this? If Gale Weathers shows up in a news van, you best not get near it, because eventually blood is going to be dripping out of it. Probably
YOURS!...or maybe not.
Gale head title of "oh no..." when they realise they can't see Randy.
And that, ladies and gentlemen, is the best scream in the
Screams. Casey's mum sure had a doozy, but there's something about this one of Gale screaming for Randy that kills it (er, pun unintended).
For a movie franchise that is called
Scream, Craven refreshingly didn't use many moments like this where it's like there's a drum roll and a "here it comes!" announcement in neon. Like when movies use their title in the dialogue and sometimes it just sounds silly! We don't need every character belting out a scream that could shatter glass.
I'd scream like Gale too if I'd just discovered that. Poor Randy. :(
On one hand I'm sad that Randy had to die, but I'm glad they had the balls to do it. In
Scream 3 they say "all bets are off" and that "anyone can die", and yet it's
Scream 2 that adheres to those rules more than
Scream 3.
Over at
Scream-Trilogy.net many people discussed the trailers and ads of
Scream 4 to such a degree that they figured they knew who died in what order and how. Many said the Weinsteins were releasing too many clips and all that, but many of them seem to be unaware that the trailers for the first three were equally spoiler-filled. Looking at the trailer for
Scream 2 now and it's quite obvious that Randy dies and, hell, they even show Cici being thrown off the roof of the sorority house! Silly people have no memories. <-this had nothing to do with anything, I just felt like mentioning it.
I love that this scene ends on such a sombre note with some sort of sad, lonely gong note playing over this shot of an empty college campus. Almost like a moment of reflection for Randy, letting us calm our nerves after the jolt of electricity that this scene is. This brief overhead shot of the campus is like the dot at the bottom of this scene's exclamation point. "This shit is
real, you guys!" And I love the way it completes the eventual diminishing of people from the campus as each of these overhead shots has included fewer and fewer people. The ranks are thinning!
Scream:
Intro, Scene 1 Scene 2, Scene 3, Scene 4, Scene 5, Scene 6, Scene 7, Scene 8, Scene 9, Scene 10, Scene 11, Scene 12, Scene 13, Scene 14, Scene 15, Scene 16, Scene 17, Scene 18, Scene 19, Scene 20, Scene 21, Scene 22, Scene 23, Scene 24, Scene 25, Scene 26, Scene 27, Scene 28, Scene 29, Scene 30, Scene 31 Scene 32, Scene 33, End Credits
Scream 2
Scene 1, Scene 2, Scene 3, Scene 4, Scene 5, Scene 6, Scene 7, Scene 8, Scene 9, Scene 10, Scene 11, Scene 12, Scene 13, Scene 14. Scene 15, Scene 16, Scene 17, Scene 18, Scene 19, Scene 20
After The Last Stand and Wolverine failed to recapture the X-Men franchise’s excellence, Marvel have decided to go back in time and show us the groovy beginnings of what would eventually become the “X-Men”. Or, as the case may be, not so groovy. Set in 1962, men and women of all creeds have begun to develop super-human powers. As the changing tides of the world’s social and political landscape take hold, these so-called mutants must discover their place in the world. They must choose either good or evil.
