Thursday, December 27, 2007

The Best (and Worst) Posters of 2007

It's the end of the year and that means everybody's favourite thing in the world - LISTS!!

I'm having a look at the best and the worst posters that we saw in the year 2007. There were some very amazing ones. Some very not so amazing ones, too. Some of these won't come as much of a surprise to long-time readers as I am highlighest them in in "When Bad Posters Strike" and "Well Played Poster" features, but there are some that I haven't even mentioned, let alone praised. So, let's get started, shall we?


(All posters can be clicked for larger views)
(All posters accumulated from IMP)

THE TEN BEST POSTERS OF 2007

10. El Cantante

I've liked this poster since I first saw it. I think it's just so distinctive and the colours pop. Love the colour of Jennifer Lopez's lips and eyelids. It all looks so suitably retro (i love curved corners on posters) and they have somehow made Marc Antony look like he has a pulse!

9. Vacancy

Reminded me of the equally fantastic poster for Rob Zombie's (I imagine) far superior The Devil's Rejects. Love the dank grungy vibe that the poster has. A poster for a scary flick that's actually kind of scary? UNHEARD OF! Plus, the lack of floating heads is a nice change.

8. Black Snake Moan

I had liked this poster from the moment I saw it, but then I saw it at a tram stop in Melbourne and just thought it was so audatiously brilliant. Plus, that tag line - "Everything is hotter down south" - overflows with amazing.

7. Redacted

An unabashedly political film gets a poster that is equally as politcal, yet doesn't get bogged out in it all. Just look at the posters for other Iraq-themed films like In the Valley of Elah and Redacted and you'll see what I mean (hopefully).

6. Aqua Teen Hunger Force Colon Movie Film For Theaters

Yes, I know very well that Richard Corben's original design has been mocked, propped and imitated to nigh on absurd levels (Posterwire has a great piece about it, actually), but I think there's an altogether new quality to it this time, when applied to the Aqua Teen Hunger Force movie idea. Plus, take a look at the credits block at the bottom of the poster - GENIUS! How they got away with it, I'm not quite sure though...

5. Love in the Time of Cholera

This foreign design for Love in the Time of Cholera is my favourite - hell, it's the only good one - because of, you guessed it, the colours. So rich and vibrant, I can't recall seeing a poster with all these yellows, lime greens and orange-reds on it before. I wish I could expect more to come, but I don't see it happening, unfortunately.

4. 3:10 to Yuma

Yes, it looks like it's advertising a Bob Fosse western, but I think that's what makes it so brilliant bonkers. What the hell is going on with this poster. I wish more mainstream movies were this inventive and kooky with their marketing. I mean, you have flamboyant gun toters, text running in all sorts of directions, random objects and one of the best sight gags on a poster all year. I choo choo choose this poster as one of the year's best!

3. Bug

Previously discussed here. This poster freaks me the fuck out!!

2. Michael Clayton

"Oh my god! Michael Clayton is fading before my very eyes!" No, not really, but I imagine that's what the smart cookie who designed this poster (someone at Pulse) was trying to get across to the casual person walking through the megaplex lobby on their way to a fascinating screening of Good Luck Chuck. No? Whether people "get" it or not (I guess you do sort of need to see the film to actually understand that angle of it all) it's still a fascinating and beguiling poster. The big orange text "THE TRUTH CAN BE ADJUSTED" speaks volumes and the look on Clooney's face (albeit, his blurred face) shows so much that you can't help but wonder what he's up to. I have a feeling that this design is going to be replicated a few times over the coming year.

1. American Gangster

Previously discussed here. You can click on the link to the left to read why American Gangster is the best poster of the year - and I'll be doing it all again very soon nudgenudgewinkwink - but, needless to say, they are exceptionally designed, superbly executed and altogether brilliant posters. In my mind I had purchased my tickets the moment I saw them.

Now Just For Fun...
(excluding previously mentioned posters)

Classiest Poster
Away from Her

A beautiful image for a beautiful film. You may not even notice the fact that Julie Christie (and the title itself) are fading away.
Runner Up: There Will Be Blood

Best Rip-Off
30 Days of Night

For ripping off the posters of 300 and actually improving on them! Way to go!

Best TV Poster
Damages

Better than most film posters, if you ask me.
Runner Up: Terminator: The Sarah Connor Chronicles

Funniest Poster
Sicko

"MAN LANDS ON MOON" is effectively funnier than twenty thousand posters with Will Ferrell pulling a goofy pose or showing off silly hair. But that's just me.
Runner Up: Teeth

Best Grindhouse Renaissence
Machete

I've seen a few posters for "grindhouse movies" in my internet travels and this one for the fake Machete is not only the best from 2007, but better and more authentic than any for Death Proof or Planet Terror.
Runner Up: The Strangers

Dreamiest Use of Colour
My Blueberry Nights

...sigh...
Runner Up: Tears of the Black Tiger

Best Use of a Gas Mask
28 Weeks Later

Runner Up: Right at Your Door

Worst "Empty Space" Poster
Margot at the Wedding

Previously discussed here. It's just so... empty!
Runner Up: Alpha Dog

Worst Backtracking
The Invasion

They went from the intriguing classy teaser poster to... that... thing... whatever it is. The top half is good, the bottom half is like some twilight zone poster. Very strange.
Runner Up: There Will Be Blood

Worst Starfucking
Premonition

I just have to laugh everytime I think of the original design of Sandra Bullock's face being made up by twigs and birds (itself quite comical) being turned into the biggest giant floating head poster of the year.

Worst False Advertising
Bridge to Terabithia

I was shocked to find out Bridge to Terabithia wasn't actually animated and was, much to my surprise, live action. Coulda fooled me judging from the poster. And then if you've seen the trailer and the movie you can point to another "false advertising" angle. They just did not know how to market this swell little movie did they?
Runner Up: I Know Who Killed Me (what movie is that advertising?!)

Worst Make-Up
The Ex

Zach Braff looks like an oompa loompa. Who allowed this to go to print?
Runner Up: Good Luck Chuck

Most Overrated
The Savages

So, what? Because the guy at the New Yorker does your poster you're instantly one of the best of all time? Puh-lease.
Runner Up: Saw IV

The "This Movie Deserves Better" Award
There Will Be Blood

What a disappointment compared to the teaser.
Runner Up: Ratatouille

Worst Tag Line
The Reaping

I still can't quite put my finger on why this tagline is so... "off".
Runner Up(s): September Dawn and Fracture

Best Tag Line
Knocked Up (runner up)
"WHAT IF THIS GUY GOT YOU PREGNENT?"


Michael Clayton
"THE TRUTH CAN BE ADJUSTED"


Razzle Dazzle: A Journey Into Dance
"WHO SAID SAVING THE WORLD CAN'T BE ENTERTAINING?"


The Simpsons Movie
"SEE OUR FAMILY, AND FEEL BETTER ABOUT YOURS" (winner)


Southland Tales
"THIS IS THE WAY THE WORLD ENDS"


FOUR AMAZING POSTERS FOR 2008
August, Funny Games


Harold & Kumar 2, Storm Warning


THE TEN WORST POSTERS OF 2007

10. Behind the Mask

I just find this poster really ugly and unappealing. Not ugly in a "this grotesqeness makes it scary" way, but in a "I don't wanna watch this movie because I might get an infection from it" way.

9. Licence to Wed

The look on Mandy Moore's face speaks volumes.

8. The Bucket List

I can't type much for this because I am actually falling asleep just from looking at it. Morgan Freeman is wise, doncha know!

7. Charlie Wilson's War

Ditto. Phillip Seymour Hoffman is so chameleonic, doncha know!

6. Fracture

Previously discussed here. Looking like a low-rent direct-to-DVD title, this poster for Fracture is just so by-the-numbers and with that ridiculous tagline ("I killed my wife... prove it" - aagh!) just makes me want to never see this movie.

5. The Ex

Previously discussed here. Zach Braff's orange face. The abundance of empty white space. The unexplained shortness of Jason Batemen. The listing of every single cast member of any remote "name value". All adds up to zero. I prefered it when it was called Fast Track - at least that poster had something going for it.

4. I Know Who Killed Me

I'm sure blue flowers play some part in I Know Who Killed Me, but it's lost on me and - I'm quite sure - everyone else whos aw this poster in the cinema lobby. With more work on it and a better idea of what it represented and this design could've been something unique, but as it is it's just... well, I don't know. What are they even trying to market there?

3. Hostel Part II

Take your pick of any number of Hostel Part II posters. They're all as revolting as the last. I still refuse to put them on my blog. They're disgusting - and, obviously, not in the scary/intriguing/mysterious way. They're just vile.

2. A Mighty Heart

Previously discussed here. I thought this hopelessly DIY poster couldn't be beat for worst of the year honours, until I saw the #1 poster. Still doesn't stop this poster for A Mighty Heart being ridiculously simplistic made-on-the-cheap disaster.

1. Mama's Boy

I'm speechless. I mean, it looks like it was made in Microsoft Paint for crying out loud! The eye-searing colour, the ridiculous pose by Jon Heder (go away forever plz) and just nothing about it makes you want to see the movie (right?) The boring font, Anna Faris' annoying dress/denim ensemble, the names "Diane Keaton", "Jeff Daniels" and "Anna Faris", the rudimentary waste of space... everything. It's just terrible. Quite possibly the worst poster ever made.

Well that was a lot of fun (and a lot of hard work). Hope you all enjoyed it. I'm sure I've missed something, but I can't help that. Did y'all have a favourite/least favourite poster of the year?

Wednesday, November 14, 2007

The Women Who Live Amongst Mulholland Drive

Tomorrow, November the 15th, sees the release of David Lynch's most recent dreamscape Inland Empire into Australian cinemas - that's roughly 50 weeks since it was first released upon American screens last December. I was lucky enough to see it at MIFF a couple of months ago, but I intend on seeing it again at the cinema.

This last weekend I woke up with a distinct urge to rewatch Lynch's Mulholland Drive, which is very odd in itself because while I constantly wake up with music in my head, I never have it with movies. And then when I was reading the paper 30 minutes letter there was an article about Naomi Watts with the obligatory "Then along came David Lynch's Mulholland Drive. And then Nat at the Film Experience does a completely random entry about the movie. I believe it was all a big cosmic sign telling me to watch it again for the millionth time. And by millionth I mean some number over 30. That's still a lot.

But, then, I was thinking about David Lynch and Inland Empire and then back to Mulholland Drive and then throughout his entire film repertoire and I was amazed at how well he directs women. I'd put him behind perhaps only Pedro Almodovar as a male director who seems to be able to direct them best.

This entry, however, isn't fawning over Naomi Watts or Laura Dern or any of his other leading ladies such as Isabella Rossellini or Sheryl Lee or whoever, it's about the ladies on the fringes of Mulholland Drive. There are a whole swag of them who aren't Watts or Laura Elena Harring. And because not enough people give them love, here they are. **contains some spoilers if you somehow haven't seen this yet**


Jeanne Bates as Irene - As the mysterious Canadian woman with the chesire grin. She quite clearly represents Betty/Diane's innocent past. A sort of destillation of her hometown (Deep River, Ontario) into one woman. "We'll be watching for you on the silver screen!"


Ann Miller as Coco Lenoix - The largest of the supporting characters, screen legend Miller is a hoot as the pitying abortion-metaphor using apartment manager (and, er, Adam Kescher's mother apparently).


Lee Grant as Louise Bonner - My favourite of these small miracles is Oscar-winner Lee Grant (where did Lynch find her at?) as the... mystic neighbour Louise Bonner. "Something bad is happening" indeed. She gives me the willies.


Lori Heuring as Lorraine Kescher - As a woman who turns her infidelity into a criticism about her husband - "what are you doing here?" she asks as he walks in on her having sex with Gene the Pool Man - is deranged, but a hoot.


Rena Riffel as Laney - This is Rena Riffel, folks. RENA freakin' RIFFEL! If you don't know who Rena Riffel is then you'll get no perverse enjoyment out of her being there. But, boy, Rena Riffel! I was so psyched when I found out that was her.


Rita Taggart and Michele Hicks as Linney James and Nicky - The high-priced casting agent and her blase assistant are two of my favourite characters in Mulholland Drive. I'm not sure why Taggart isn't a Patricia Clarkson or the like, it's very unfortunate because I like her in everything I've seen.


Lisa Lackey as Carol - Perhaps the most unaffected and modern performance by any woman in the film. Despite lipsyncing to Connie Stevenes, Carol speaks like a normal person and doesn't seem to be channeling anyone or any time period.


Melissa George as Camilla Rhodes/Unknown Mysterious Lesbian - I made up that slash name for her, but it's true! George doesn't say a word - she does lipsync to Linda Scott and whisper into Harring's ear - but she gives off this amazing mysterious vibe that you can totally understand why Diane would think she is a part of a big conspiracy.


Joanna Stein as Woman in #12 - As, I think, a disgruntled lover of Diane, "Woman in #12" is quietly intense.


Rebekah Del Rio as Herself - Del Rio performs a spanish-language version of "Crying" and it is one of the most powerful musical moments you'll ever see either in a musical or on stage or anywhere.


Cori Glazer as Blue-Haired Lady - As Club Silencio's resident balcony occupant, Glazer says one word to break her stoic viewing face. "Silencio". It ends the movie on a haunting and perplexing note, although if you think about it it's really just one big massive joke on David Lynch's part. "It's all an illusion" indeed.

Gosh, that movie is amazing.