The title says it all, really. In Darkness – the absence of light. This rather bleak, Oscar-nominated WWII drama (is there any other kind?) from Agnieszka Holland (Europa Europa) very literally presents a world that is so dark there are times where it appears we have no hope of ever seeing the rays of the sun again. Thankfully, despite an excessive runtime, over nearly two and a half hours, the way darkness is shown on the screen is at least captivating and mesmerising. The real star of this Polish/Canadian/German co-production is cinematographer Jolanta Dylewska, who performs a delicate dance of shadow and light within the claustrophobic confines of the Polish sewer system in the final year of German occupation. Even when the work of Holland screenwriter David F Shamoon – adapting In the Sewers of Lvov: A Heroic Story of Survival from the Holocaust by Robert Marshall – feels like it’s stretching itself too thin, In Darkness never loses its visual strength.