And so begins my MIFF preview at Trespass Mag. Click on through if wish. Each subsequent year that I have attended MIFF I have seen more films than the one before and this year is no different with 21 movies with tickets purchased. I have no idea how I'm going to cope with all of these, writing this blog, work and various other social normalities to attend to, but there are some people seeing over 70 titles so at least I'm not them.
Below is my itinerary for MIFF and I encourage any Melbourne readers out there to seek out the festival. It's surely the only way you'll ever be able to see several of the titles on offer. There were many that I so wanted to see, but due to various circumstances (having to work, not having several clones, the usual stuff) I cannot. I missed Lee-Chang Dong's Secret Sunshine in 2008 and didn't want to piss Poetry this year, but I must. I was totally psyched about Joe Dante's rare one-print-only The Movie Orgy, but that's another I had to cross off, just like Waking Sleeping Beauty, Alfred Hitchcock's Psycho with live orchestra, Gareth Edwards' Monsters, a big screen presentation of For Y'ur Height Only starring the immortal (well...) Weng Weng, Harmony Korine's Trash Humpers, Shane Meadow's Le Donk & Scor-zay-zee, Oren Moverman's The Messenger (a 2-time Oscar nominee that's still without an Australian release) and - worst of all - the French horror comedy Rubber from director Quentin Dupieux about a murderous car tyre with psychic powers. I'm so disappointed I will be missing that one, but I have tickets to Florence and the Machine that night so I think I'll manage. There's dozens I'd love to see, but do not have the time or the funds to get to, so the following this is what I had to scrounge out of a longlist of about 60 titles.
I will be doing several small review packages for Trespass over the 17 days of the festival, but I aim to write up full length reviews of as many films as possible.
19.00 Dreamland (ACMI)
21.15 Red Hill (Forum)
Ivan Sen hasn't been heard of much since Beneath Clouds in 2002 so the chance to see his new experimental black and white sci-fi film is not to be missed, same goes for Red Hill, which has been garnering big buzz ever since the teaser got released and everyone got all hot and bothered about how incredible it could be.
12.15 Myth of the American Sleepover (Forum)
19.00 Machete Maidens Unleashed! (ACMI)
I have never heard of David Robert Mitchell's film before flipping through the MIFF guide, but it's title and description sound exciting so we'll see how it goes. Machete Maidens, on the other hand, is the latest documentary by Mark Hartley who made Not Quite Hollywood and this time has taken his focus to Filipino action movies of the 1970s and '80s. Weng Weng features prominently, I'm sure.
No movies today, but this is true - in my MIFF schedule planner I actually made sure I didn't schedule any movies because tonight is the finale episode of MasterChef Australia and Twitter followers will be aware that I cannot possible miss that!
12.30 1981 (ACMI)
21.15 Beeswax (Forum)
1981, a Canadian "coming of age" film, sounds like it should be right up my alley. As for Beeswax? Well, certainly people are demanding I see it, so I shall.
No MIFF movies today, but I do get to see The Loved Ones today, which is just as exciting as Weng Weng.
21.30 The City of Life and Death (Forum)
This is one of the real big titles of the festival for me. China has provided me with the best film I've ever seen at MIFF - that would be Zhang ke-jia's Still Life - and I'm hoping they strike again with this black and white film that has everybody raving.
12.15 Piggies (Forum)
19.00 I Love You, Phillip Morris
Robert Glinski's Piggies sounds so confronting - child prostitution and all that that entails - that I'm kinda glad I'm seeing I Love You, Phillip Morris later on in the day. We've been looking forward to that "Ace Ventura goes Gay" movie for a while now and this may be the only chance to ever see it on the big screen unless Village Roadshow decide there's an audience for this. Considering they planned for The Hurt Locker, which I thankfully say at last year's MIFF some 7 months early, to go direct-to-DVD, I can't see that happening any time soon.
12.15 The Illusionist (Forum)
14.30 Jean-Michel Basquiat: The Radian Child (GU6)
19.00 Blank City (GU3)
21.15 The Silent House (GU3)
I start today's epic four-day MIFF experience with Sylvain Chomet's latest animated delight from a screenplay by Jacques Tati and end it with a Uruguayan real time horror movie. Lovely. In between those two I have two documentaries that take a look at New York City subcultures, which is something I can rarely ever resist. Last year's Little Joe was far better than A Walk Into the Sea: Danny Williams and the Warhol Factory the year for that so, just maybe, these two will be even better!
I'm not looking forward to spending three movies in Greater Union, however, which is a horrible cinema by even the flimsiest of standards.
18.45 Like a Dream (ACMI)
A really fascinating-sounding film from Australian/Hong Kong director Clara Law (The Goddess of 1967).
12.15 She, A Chinese (Forum)
Xiaolu Guo's film is another that appealed to the same part of me as Still Life and Up the Yangtze. If it's even half as good as either of those films then it will be a worthwhile ticket purchase!
16.45 Brotherhood (Forum)
This is a Danish film about two neo-Nazis who fall in love. This is pure, unadulterated film festival goodness. I'm not sure if this played at the recent Melbourne Queer Film Festival, but I imagine they were too busy screening Another Gay Movie 7: Butt's Fight Back to consider it.
21.15 Certified Copy (Forum)
Juliette Binoche won her Cannes Best Actress prize for this film earlier in the year and I am so excited to see it. Not only for Binoche, but - ta da - this will be my very first Abbas Kiarostami movie. I wonder what I'm getting myself in for.
16.45 Life During Wartime (ACMI)
Todd Solondz. That's pretty much all you need to know behind my reasoning for wanting to see this. Really. This is probably my most anticipated of the festival. "Can I give you some advice?" "Yes please" "...No, actually, I have no advice for you." Gah! Solondz! You mad fucker!
19.00 Women Without Men (GU3)
I don't know much about this from from Middle Eastern artist Shirin Neshat, but I've heard great things about it so why not, yeah?
13.00 Cane Toads: The Conquest (Hoyts)
19.00 The Actresses (Forum)
My last day of the festival starts with a 3D doco-drama about cane toads in Australia's northern states. Yes, this is actually a movie. Cane toads jumping out in 3D sure sounds like an enjoyable way to spend a Saturday afternoon, don't you think? An even better way to spend a Saturday night? In the company of The Actresses from Je-yong Lee, a mockumentary that charts a Vogue Korea fashion shoot featuring six satirically D-I-V-A celebrities (all playing themselves, including Ok-bin Kim from Thirst). It sounds like a highly enjoyable film and a wonderful way to end the festival.
I had expected MIFF to program Apichatpong Weerasethakul's Cannes Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives, but didn't see it in the guide. It was, however, just announced as one of the closing night films. I might have given it a change, despite not caring for the only other Weerasethakul film I have seen (that'd be Syndromes and a Century), but I work all day on Sunday and his films are sleep-inducing at the best of times, so I have decided to skip it. Being a Palme d'Or winner I am sure it will become available in some format at some stage over the next couple of years (it took Michael Haneke's The White Ribbon a year to reach Australian shores outside of film festivals, which says a lot I think.)
Any local readers out there want to say what they're seeing? Did you take a punt on something obscure and little known, or did you go with the likes of The Kids are All Right or Enter the Void?